Wednesday 28 October 2015

How does Steinbeck present the characters dreams of a different life in of mice and men?

John Steinbeck presented the dreams of his characters from the outset by naming his book “Of Mice and Men”.  The title itself comes from a poem by Robert Burns (Tae a Moose) in which the narrator (Burns) destroyed the home and dreams of a wild mouse while ploughing his field.  The title of Steinbeck’s book is an extract from the poem where Burns says that the best laid plans of mice and men “gang aft agley” (often go wrong: modern English) and is an excellent example of all the foreshadowing used in this novella.
One would think that the book itself was written after Steinbeck read the poem, but it was already written.  Steinbeck changed the title from “Something That Happened” to “Of Mice and Men” after reading the problem prior to publishing the novella.  Perhaps Steinbeck saw in the poem something akin to his own message.  For instance, in the last two verses, Burns acknowledges the animal’s inability to live in either the past or the future; the mouse can see only the present.  The mouse has no dreams, as such, and will not be let down by life in the way we humans allow ourselves to be.
This is reminiscent of Lennie in particular.  Steinbeck uses a lot of animal imagery, which have different connotations, for instance using animal symbolism to define Lennie physically and characteristically.  In addition to that, Steinbeck is also saying Lennie does not live like other men, dreaming and scheming; Lennie is like an animal in that he lives day by day.  This point could be argued by saying that Lennie continually asks George to repeat their plan.  If there were no mention of rabbits in this scheme to own a farm though, would Lennie be interested in this future endeavour?
Another major theme throughout the book is loneliness versus friendship.  The story takes place in Soledad, which is Spanish for solitary.  The word itself is almost “Solitary”.  Steinbeck’s use of wordplay goes even deeper, when you break the name of the area into Sole Dad.  George is the Sole Parent of Lennie perhaps?  Like any single parent, George often gets irritated by being responsible for another person.  He is still very protective of Lennie, however, and it seems an almost sacrifice on his part to care for him.  Without Lennie though, George would be one of those men he talks about when he starts telling Lennie the story of their dream.  He talks of their kind being the loneliest guys in the world, and that “They got no family”; in a sense, however, George and Lennie are family.  Few men are as close as them as the boss points out later, as does Slim.
Steinbeck uses fate, and chance, to get his message across regarding how dreams will unfold for the lonely people.  George playing Solitaire in the bunkhouse is very symbolic of playing the hand you are dealt in life.  That we have no option other than what cards are laid before us.  At one point, Lennie says “George, why is it both ends the same?”.  Steinbeck, again, is putting across that no matter which way you turn, your fate remains; your dreams will come true only if destiny has written it in your cards.
Other, main and secondary, characters in the book who evoke loneliness are Curley, his wife, Candy, Crooks and Carlson.  It is interesting to note that their designations all start with the same initial: C.  Other characters in the book whose names begin with something else (other than the main two protagonists) start with something other than a C.  Bill Tenner (who is mentioned as having achieved an ambition) Slim and Whit.  What did Steinbeck mean when he used this particular letter to identify the lonely characters in his book?  Does the letter C refer to a circle that is not whole?  Like the circle of friends on the ranch, the potential is there, but it lacks something, like trust.  If these people opened up to one another maybe they would see their commonalities as well as their differences.
Steinbeck also used a lot of Biblical symbolism in the novella.  The fact that the lonely characters names began with the letter C indicates that they are as doomed as George in their efforts to live a different life.  George kills Lennie, Cain killed Abel.  The prominence of the Letter C in the book as identities for certain characters could signify that they are descendants of Cain.  These people, effectively, have more in common with George than anyone else.  There is  one person in the book who’s title begins with an A; Andy Cushman, who ended up in San Quentin “On account of a tart”.  Like Lennie (Abel), Andy got into trouble because of a woman.
Another major symbol from the bible is Curley’s wife with no name.  Although it is generally accepted this was indicative of the oppression and possession of women in that era, it cannot be denied that Curley’s wife was used to symbolise the fall of Eden at the hands of a woman.  I believe Steinbeck’s inclusion of a snake (serpent) at the beginning and end of the novella was a huge clue in the Paradise Lost theme.  In the first chapter, the snake lives.  “A water snake slipped along on the pool, it’s head held up like a little periscope”.  In the final chapter, it appears again in an almost identical manner.  “A water snake glided smoothly up the pool, twisting it’s periscope head…”  at this point,  however, the heron that was also there in the first chapter, swallows the snake whole.  Steinbeck is using biblical imagery in order to present the folly of mankind and the corruption of man by woman through sexuality.
After the snake is devoured another, almost identical, snake appears.  This one is also spared after the heron flies off, disturbed by Lennie in the clearing.  Steinbeck’s message here is clear.  Temptation, power, and naivety will always be a factor in whether or not a person’s dreams will come to fruition or be broken.
Power and corruption are also important aspects in how Steinbeck presents the dreams of his characters’ and how they are broken.  George and Lennie barely escape from Weed after Lennie is accused of rape by a woman because he touched her red dress.  Steinbeck uses the colour red here for the first time in the story of George and Lennie (chronologically)as a symbol of power, sexuality and danger when Lennie and George have to escape from a mob out to lynch them.  When George tells Slim this story, it gives the reader more background into another broken dream.  George’s main plan was to buy a ranch; this was to be achieved by his other plan of finding a job that would last long enough  to raise the required amount of money.  These plans seem to be continually destroyed by Lennie, who is too innocent to realise right from wrong.
Curley’s wife, considered weak in the novel purely by being female, resents are place in society and uses her only power as a white woman over Crooks, the black worker on the ranch.  Prior to this, Crooks had used power over Lennie, brains over brawn, in much the same manner.  Lonely and frustrated,  rather than band together and form an alliance, the people on the ranch seem to take their frustrations out on each other, the strong overpowering the weak.  Curley is the boss’s son, but a worker none the less, and so takes out his frustrations on the people he has the power to fire.  There is no mention of an emotional bond between Curley and his father, leading one to assume that there is none.  Curley’s loneliness may have stemmed from lack of parental comfort growing up, and he is now no longer capable of intimate relationships.
Steinbeck uses the past and growing older several times in the book.  Crooks’ frustration is mainly due to having once lived on a working ranch that his father owned and having no real knowledge of racial inequality.  Candy also lives in the past, when he and his dog were younger and useful.  George at one point mentions his memories of his grandfather.
Throughout the book there is a great deal of social commentary, such as race, gender and social supremacy.  Crooks is disabled and black, but is educated and well read; Candy is capable, although disabled and old; Curley’s wife is a suppressed woman, but overtly sexual and beautiful.  Steinbeck shows us how each character’s dream is achievable, and also shows us aspects of that individual that would potentially block them reaching their goal.  As individuals, these negative aspects are not particularly bothersome, but in a social setting they have a massive impact on the character.

Steinbeck also subtly hints at the existence of a social exchange theory.  In order for a relationship to exist, there has to be a mutual benefit.  Once this ceases, the relationship must be re-evaluated.  At the point of Lennie’s death, George’s dream is finished.   Candy and Crooks had been accepted into the plan, but for George,  there is no plan without Lennie.  Even though George could achieve it quicker financially with the help of Candy than he ever could with Lennie, George lost interest immediately.